Dear Readers,
After several years of sometimes dedicated and other times random intervals of blog postings I am closing down this site. I plan to devote more time to keeping an updated website of work and perhaps sending out a quarterly newsletter. Thank you for your virtual presence in my life over the years and encouraging comments. Please visit my website: http://www.michellesaffran.com/
Sincerely,
Michelle
Tuesday, October 4, 2016
Tuesday, August 16, 2016
What Fun!
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| Mediating Memory reception |
I started the evening with the very good intention of photographing everyone who came but, as with most good intentions, I lost track of my mission sometime after the first hour. Thank you to everyone who came to the reception for Mediating Memory at Axel's last Friday night. I apologize to those of you who weren't photographed, but perhaps you are just as happy to have escaped me!
This being the first time I showed the Heirloom series I was nervous but delighted to hear everyone's comments. During the artist's Q & A I was asked, Why twelve (meaning why was my series based on the year I turned twelve)? To which I said, it was a year of transition from childhood to teenage/quasi-adulthood and I was becoming more and more aware of the political, social and environmental upheaval in the world around me. The year was 1969 and as I turned my attention away from my immediate family I witnessed how the world around me was changing, being transformed through race riots, war protests and environmental disasters. This sensitivity to national events would come to shape my conscience and attitudes permanently.
The Heirloom quilt pieces deal specifically with how my newly formed global interests affected my role within the family, specifically my relationship with my mother. She began losing her position as center of my universe and lacked the experience of how to navigate that uncharted territory. Heirloom is a reflection of the confluence of cultural and personal forces that moved into my family relationships.
Monday, August 8, 2016
Mediating Memory Reception
This Friday, August 12 from 6 - 8:00 pm there will be an artist's reception at Axel's Gallery in Waterbury for Mediating Memory. I invite you to come and see Heirlooms and Nuclear Family along with my friend Amy Hagberg's stunning and haunting pinhole camera work.
Creation Grant
I am pleased to tell you that I have been awarded a Vermont Arts Council Creation Grant funded by The National Endowment for the Arts. This grant will allow me to devote more time to my work, specifically the Remembering Our Future Death series. I will be showing the series at several points throughout the upcoming year and will let you know when and where as the shows approach. I offer up a huge THANK YOU to the Arts Council and The National Endowment for the Arts!
Thursday, July 28, 2016
Final Five
This is where I started nearly three months ago:
And this is where I am today, complete with final titles:
The Heirlooms will be showing at Axel's Gallery August 3 - September 17 with a reception on Friday August 12, 6 - 8 pm. I look forward to seeing you then!
And this is where I am today, complete with final titles:
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| Saffran 2016 Before We Disappointed Each Other 24" x 24" sewn photographs |
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| Saffran 2016 Always Listening For What Wasn't Said 24" x 24" sewn photographs |
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| Saffran 2016 Happy Birthday 24" x 24" sewn photographs |
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| Saffran 2016 She Was Me And I Was Her 24" x 24" sewn photographs |
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| Saffran 2016 Who Would I Turn Out To Be? 24" x 24" sewn photographs |
The Heirlooms will be showing at Axel's Gallery August 3 - September 17 with a reception on Friday August 12, 6 - 8 pm. I look forward to seeing you then!
Wednesday, July 20, 2016
Heirloom Quilts, the chapter ends?
I set out to make five photo-collage quilts, a number that matched the projects five source images. I think I'm done (with this chapter anyway). Over these last few months I made many more than five pieces but eliminated those that didn't fit the story or had become overly complicated to the point that they were more about design than narrative.
Come see the final series at Axel's Gallery August 3 - 17. Hanging with the Heirloom Quilts will be the Nuclear Family series, along with a few surprises! Showing along with my work will be the haunting and enigmatic pinhole camera photographs of Amy Hagberg.
I look forward to seeing you at the artist reception on Friday night August 12, 6 - 8 pm.
Come see the final series at Axel's Gallery August 3 - 17. Hanging with the Heirloom Quilts will be the Nuclear Family series, along with a few surprises! Showing along with my work will be the haunting and enigmatic pinhole camera photographs of Amy Hagberg.
I look forward to seeing you at the artist reception on Friday night August 12, 6 - 8 pm.
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| Saffran She Was Me and I Was Her 23"x 23" sewn color photo-collage 2016 |
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| Saffran Who Would I Become? 23" x 23" sewn color photo-collage 2016 |
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| detail |
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| Saffran Always Listening For What Wasn't Said 23"x 23" sewn color photo-collage 2016 |
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| detail |
Thursday, June 23, 2016
More Quilts
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| Saffran I Wanted To Sing Like Joni Mitchell 23" x 23" sewn photographs 2016 |
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| Saffran Before We Disappointed Each Other 23" x 23" sewn photographs 2016 |
My work continues on the series of paper quilts for the 1969 series. I Wanted To Sing Like Joni Mitchell and Before We Disappointed Each Other are the two most recent images pieced together from that same group of 5 snapshots (all taken at my twelfth birthday party) that the earlier two quilt pieces were made from. My goal is five new pieces to mirror the five originals. Forcing myself to meet this goal has pushed me to look and look and look again at the same few snapshots and dig beyond their surface to see what else may be there. On the face of it these source images seem to deny a deeper exploration. They are simply what they are, yellowed with age poorly composed records of one evening forty-seven years ago. The longer I study the snapshots the more detached I become from them. Its like repeating a familiar word over and over to yourself until it becomes strange and removed from its meaning. Searching the faces and analyzing the gestures of my family and preteen self I find no meaning, locate no memories. In a sort of backwards projection these snapshots have become a repository for everything I now know. Their meaning comes, not from what they literally recorded, but from all the events of my life that came after that night.
Tuesday, May 31, 2016
Quilts
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| Saffran Happy Birthday! 2016 24" x 24" sewn photographs with journal pages |
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| detail Happy Birthday! |
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| Saffran You've Come A Long Way, Baby 24" x 18" sewn photographs with journal pages work in progress 2016 |
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| detail You've Come A Long Way, Baby |
Armed with my newly found "The Standard Book of Quilt Making and Collection" by Marguerite Ickes, copyright 1949, I set to work. In quilts I have found a design structure and a connection to time past and to women's craft that are perfect accompaniments to my photographs. I try my best to follow the quilt patterns but invariably get lost along the way and end up with an amalgamation of tradition and invention.
My goal is to have five quilts finished in time for the August show Amy and I are having at Axel's Gallery. Our shared penchant for mediating memory through the photograph will make for a dynamic show.
Tuesday, March 15, 2016
Texas National 2016
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| Saffran 2016 And Baby 13" x 19" archival color photograph collage sewn with thread |
Juror Abelardo Morell selected And Baby (I Know a Story series) from over eight hundred entries to be part of the 2016 Texas National show at Stephen F. Austin State University Art Gallery in Nacogdoches Texas. The show runs April 9 – June 11, 2016.
My passion for the work of Morell motivated me to enter the competition. I was introduced to his work through the constructed image series Alice In Wonderland and have followed his many photographic adventures from Paper to the more current Camera Obscura and Tent Camera.
His work is diverse in process but singular in vision. Through the use of a variety of photographic means of reproduction he asks us to consider the photograph as a liveable place that may be experienced with our bodies as well as our minds.
Sunday, March 6, 2016
Gallery One collage show
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| Saffran 2016 She Was Fun at Parties photo-collage sewn with thread 22" x 19" |
She Was Fun at Parties is from a newly developing body of work centered on the year 1969 and how my personal development and relationship with my mother was influenced by the social and political climate of that time period. More to come . . .
Thursday, January 21, 2016
new works
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| Saffran 2016 working title "She Was Fun at Parties" 30" x 19" color photograph with sewing pattern image and thread |
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| Saffran 2016 working title "Inside Looking Out" 30" x 19" color photograph with found advertising image and thread |
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| original source photographs |
Temple Incense "A Sheaf of Poems"
I was inspired to make this book as a gift for my dear friend David when I found a small incense tin at the second had junk store. Measuring 3" x 2", the distressed tin was the perfect vehicle for this book. A few years ago, during a dark personal time, David gave me a collection of cards designed by Rashani Rea that included her original design paired with excerpted quotes from Tarchin Hearn's "A Sheaf of Poems (1981 - 2010).
On one side of each individual pages is a photograph I made of a dandelions gone to seed, on the other is a quote from Tarchin. The pages are not meant to be in a specific order and can be shuffled and reshuffled for new associations and renewed thinking.
Sunday, October 11, 2015
art open house October 18
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| The Old School House |
I will be showing recent work at an art open house next Sunday (October 18) 2:00 - 5:00 pm.
The Old School House at 14 Farnham Road in Moretown (the corner of Moretown Common and Farnham roads) will be the place to be! The owner and resident of the Old School House hosts open houses to give local artists a chance to meet and share their work.
Jane will help me hang the show on Saturday and has offered to bring some yummy food on Sunday. Also on Sunday, Bruce will perform acoustic guitar music. All we need is you!
Tuesday, October 6, 2015
nuclear family
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| "He Never Believed That She Loved Him Best" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "Nuclear Family" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "Unidentifiable Remains" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "Children Are Like Puppets" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "Betty Was HER Horse" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "Was He Happy?" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "Their Faces Said It All" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "What If . . . " | michelle saffran 2015 6" x 6" black and white print from scanned negative |
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| "Guns As Toys" | michelle saffran 2015 6" x 6" black and white print from scanned negative |
Along
with scrapbooks, albums and loose snapshots I inherited dozens of
glassine envelopes full of 120mm film negatives. Negatives without their positives, placeholders for what is absent, symbolic on many levels.
These exposed pieces of silver halide reference how, over time, an original event or person is detached from its source and becomes a trigger for a memory or speculation. The reversal of white to black, and black to white, in a transparent
yet reflective surface confuses the eye and challenges the mind.
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