Six of my pieces: Razor's Edge, Flow, Resurrection, Interstitial Space #7 and #8 and #9 are part of the Art of Dying show at Rutland's Chaffee Art Center which opens this Friday, November 7 - 5:00 to 7pm. Follow the link for directions/map and more information.
This is the statement I submitted to the Jury for the show:
Last
fall my neighbor shot a coyote and strung it up in the entrance to
his barn. Each day as I passed the farm the presence of this animal
pulled at me in a sad and curious way. My uncomfortable feelings did
not come from a moral judgement about hunting but from a deeper more
mysterious place. I had been exploring the ideas of death in my work
for several years, specifically what happens to a being's vital life
force (whether it is called a soul or identity) once it dies. This
coyote became a symbol of life and death for me. The resulting
photographs offered a way for me to visually synthesize my thoughts
and speculations on what happens after death.
The
group of photographs I have submitted for consideration for the Art
of Dying show
chronicles my investigation into where the
living go after death.
Because
I can't know with certainty, or even uncertainty, what happens after
death I have centered my work on the idea that death releases a soul
into a liminal space – an interstitial world – where it
deconstructs and becomes part of a universal flow of energy that
surrounds everything.
The
series begins with the coyote itself in two forms: the whole animal
in ascension called Resurrection
and a second piece, Flow,
in which
the animal disintegrates and enters a
universal force field that surrounds all life.
The
other images presented here, Interstitial
Spaces #7, #8 and #9 aim at visually
representing the emotional atomic energy I associate with an
unknowable place that exists after death. The final piece submitted,
Razor's Edge,
describes the moment of death wherein the soul has yet to progress
into the interstitial space and is still suspended in a mortal world.
All
of this work is meant to be experienced on an emotional level and not
meant as an academic or theological statement on the issue of death
and the afterlife.
detail: Saffran 2013 Flow |
Saffran 2013 Razor's Edge 39" x 65" |
Michelle: What an intriguing write-up to the show. I will be there to see it but unfortunately, not at the reception!
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